With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major ... A skeptical film industry dubbed such cinemas "sure seaters," convinced that patrons would have no trouble finding seats there. Fine looks at the life and impact of Cassavetes, based largely on interviews from the people who knew the man and his work best: his wife Gena Rowlands and their children; Peter Falk; Ben Gazzara; Martin Scorsese; John Sayles; Seymour ... Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. The book incorporates several different theoretical perspectives, including film genre, auteurism, cultural studies, Orientalism, the "male gaze," feminism, and queer theory. (Limelight). A Killer Life is a book about just that: the killer life of an alternative film producer who's forged her own path of success between the disparate pillars of art and commerce. In this fascinating account, Daniel Steinhart uses an array of historical materials to trace the industry’s creation of a more international production operation that merged filmmaking practices from Hollywood and abroad to produce movies ... He binds these diverse works together within a cluster of distinct viewing strategies and invites a reevaluation of the difference of independent cinema and its relationship to class and taste culture. This richly illustrated book, discussing many early films and illuminating black urban life in this period, is the first detailed look at the numerous early relationships between African Americans and cinema. Presents a historical look at film techniques, movies genres, and the motion picture industry Hailed as the definitive work upon its original publication in 1975 and now extensively revised and updated by the author, this vastly absorbing and richly illustrated book examines film as an art form, technological innovation, big ... A refugee from post–World War II Europe who immigrated to the US in 1949, Jonas Mekas (1922–2019) became one of America's foremost champions of independent cinema and one of its most innovative filmmakers. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players ... On the history of motion pictures Making Asian American Film and Video explores how the genre has served as a flashpoint for debates about what constitutes Asian American identity. This novel, along with two that followed, The Forged Note in 1915 and The Homesteader in 1917, mirrors Micheaux's experience as a black pioneer of the American West. The History of Independent Cinema presents an extraordinary journey that revisits the innovative men and women who stood up to the status quo and brought revolutionary new ideas and technologies to the motion picture world. Found inside – Page 252“Independence”, then, was far from a new idea when John Cassavetes and others started making “independent” films in the late 1950s, but they did seem to ... Found insideNamed a Best Book of the Year by Financial Times "Singular, stylish and slightly intoxicating in its scope." —Rolling Stone Acclaimed media critic J. Hoberman's masterful and majestic exploration of the Reagan years as seen through the ... In Independent Ed, Edward Burns shares the story of his two remarkable decades in the film industry. At the age of 25 Burns produced his first film, The Brothers McMullen (1995), on a tiny budget. Recounts the history of motion pictures, from the inventions that made it possible to project movement to 1913, when the modern industry had begun to emerge Contemporary US Cinema examines important developments in American film-making over the past three decades, citing them as instances both of change and of continuity within the practices and processes of earlier phases of classic Hollywood ... Winner of the 2018 Richard Wall Memorial Award from the Theater Library Association Liberating Hollywood examines the professional experiences and creative output of women filmmakers during a unique moment in history when the social ... Ideal for Introduction to American Cinema courses, American Film History courses, and Introductory Film Appreciation courses focused on American Film, this text offers a cultural examination of the American movie-making industry, with ... America on Film: Representing Race, Class, Gender, and Sexuality in the Movies, 2nd Edition is a lively introduction to issues of diversity as represented within the American cinema. Found insideThis volume of primary documents seeks to engage readers interested in the multiple meanings of Hollywood and politics by using a topical approach : election politics, public policy, war and patriotism, social movements, cultural values. These various meanings are examined in the course of the book.The book is ordered chronologically, beginning with Independent Filmmaking in the Studio Era (examining both top-rank and low-end independent film production), moving to the ... This anthology addresses the salient aesthetic, ideological and economic determinants of independent American cinema over the past three decades. Deliberately eclectic and panoramic, THE NEW AMERICAN CINEMA brings together thirteen leading film scholars who present a range of theoretical, critical, and historical perspectives on a rich and pivotal time in American cinema--that from ... " During his illustrious career, Oscar Micheaux wrote, produced and directed forty-four feature-length films between 1919 and 1948 and wrote seven novels. Micheaux died in Charlotte, North Carolina, during a business trip. No Marketing Blurb This innovative book shows how Asian American filmmakers and videomakers frame and are framed by history—how they define and are defined by cinematic projections of Asian American identity. Found inside – Page iCinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. In this volume of 15 articles, contributors from a wide range of disciplines present their analyses of Disney movies and Disney music, which are mainstays of popular culture. In ten original essays, American Cinema of the 1960s examines a range of films that characterized the decade, including Hollywood movies, documentaries, and independent and experimental films. "The independent cinema, as a movement, began in the 1980s when it became a recognizable commercial force in the art of moviemaking . Found insideA comparative analysis of key Islamic ity platforms and their debates In Yellow Earth, John Sayles introduces an epic cast of characters, weaving together narratives of competing agendas and worldviews with lyrical dexterity, insight, and wit. Found insideThis is an indispensible sourcebook for scholars and enthusiasts, establishing the key role played by the L.A. Rebellion within the histories of cinema, Black visual culture, and postwar art in Los Angeles. This indispensable single-volume reference work surveys independent filmmaking from cinema's inception through the 21st century. Films discussed include Terminator 2, The matrix, Home alone, Jurassic Park, Pulp fiction, Boys don't cry, Toy story and Clueless. Edited and written by leading authors in the field, this book offers an examination of American independent cinema through four sections that range in focus from broad definitions to close focus on particular manifestations of independence. Found insideGomery's history tells the story of a 'tale of two systems 'using primary materials from a score of archives across the United States as well as a close reading of both the business and trade press of the time. Upon its original publication in 1976, The American Film Industry was welcomed by film students, scholars, and fans as the first systematic and unified history of the American movie industry. 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