Edited by Alex Harris and Lee Friedlander. These texts, illuminated by seventy-five full-page plates and more than eighty illustrations, make this book a groundbreaking contribution to photographic studies. This brilliant study provides a unique guide to the photographers in the world, from Fox Talbot, the father of photography, to the masters of today. This volume brings together the most significant works of his career. In The Corinthians, curators Ed Jones and Timothy Prus present more than 200 slides taken with Kodachrome film. Conceived as a book and nation-wide exhibition, Americans in Kodachrome 1945-1965 is an evocative and haunting portrait of an historic generation of Americans."--BOOK JACKET. The photos were subsequently exhibited at Cheim & Read gallery in New York and sold. This book reunites these photos in their entirety, and shows the artistic beginnings of a pioneer of contemporary photography. The first and only career retrospective of the renowned and influential American photographer Joel Meyerowitz, one of today's masters of photography A deluxe two-volume book presented in a slipcase, featuring high quality reproductions, ... Found insideThe "classic" photobook that brought Martin Parr and British color photography to the attention of the world. Found inside – Page 122Kodachrome, der erste für eine breite Öffentlichkeit verfügbare Farbfilm, ... selbst wenn sie, wie William Eggleston, Kodachrome-Filme benutzten. "Copublished with the Milwaukee Art Museum on the occasion of the exhibition, Color rush: 75 years of color photography in America, on view February 22 to May 19, 2013."--Colophon. "I experienced a conversion of sorts in making a switch from the 'decisive moment' of black and white to the marvel of color, a world I was waking up to every day," Clay writes of this work. Presents photographs of urban Vancouver taken during the 1950s and 1960s in color rather than the black-and-white hues used by other photographers at the time, along with essays that discuss his life and artistic style. Over the course of nearly six decades, William Eggleston—often referred to as the “father of color photography”—has established a singular pictorial style that deftly combines vernacular subject matter with an innate and ... The first book on master photographer Ernst Haas's work dedicated to both his classic and newly discovered New York City color photographs of the 1950s and 60s. This is an unsurpassed collection of 500 superb images that represent the world's best photographers from the mid-19th century to today, arranged alphabetically by photographer, from pioneers such as Gustave Le Gray and Daguerre to icons ... This new Steidl edition recreates the full original sequence of photos in a single volume, making it available to the wider public for the first time. Reference source for the care and preservation of photographs and motion picture film. "We drove around for days. Miles and miles of dead barren cotton wool land, depressing countryside and abandoned towns. I asked Bill, 'Where are we going? Where the fuck are you taking us? This ten-volume set containing more than a thousand photographs is drawn from a body of twelve thousand pictures made by Eggleston in the 1980s. Features selections of the photographer's work in photojournalism and color photography, along with a chronology and an introduction that details his career and contributions. It is presented in its entirety in this three-volume set. An earlier edition of Los Alamos edited by Thomas Weski was published by Scalo in 2003. Weski's original essay is included in this revised edition. This is the first book of Joel Sternfeld's largely unseen early color photographs. In 1969 Sternfeld began working with a 35-mm camera and Kodachrome film, and First Pictures contains works from this time until 1980. He made nearly 3,500 color photographs, a small fraction of which were published for the first time in the 1993 edition of ANSEL ADAMS IN COLOR. In this newly revised and expanded edition, 20 unpublished photographs have been added. Transparencies: Small Camera Works 1971-1979' offers an alternative account of one of the most fabled episodes in photographic history: the cross-country journeys that produced Stephen Shore?s luminous new vision of the American landscape, ... Found insideChiefly six reproduced, 1930s-era, portrait, street photographs of formally-attired family members leaving a wedding and a funeral in the city, including a close-up photograph of a newborn in a stroller. This is the catalogue of an exhibition on photography from the 1960s and 1970s. Providing a history of portrait photography, this book includes a range of photographic styles and movements, and photographers. Presents a look at photography in the twenty-first century, dividing the topic into such categories as documentary, landscapes, history, the body, color, and constructions and presenting leading photographers and examples of their work. Hollywood in Kodachrome by David Wills has descriptive copy which is not yet available from the Publisher. This book, however, chronicles them at the outset of their careers and provides essential context for their inclusion in the art historical canon"--Back cover. Found inside – Page 122We The Color Formalists (see page 152) approached color more circumspectly, even when, as in the case of William Eggleston, they used Kodachrome from which ... Unusual in its concentration on family and friends, the book highlights an air of offhand intimacy, typical of Eggleston and typically surprising. "This book accompanies the exhibition organized at the Maison europaeenne de la Photographie in Paris from June 24 to August 23, 2015"--Title page verso. Mante is regarded as one of the outstanding contemporary photographers in Germany. This collection presents the wealth of Mante's photographic work, revealing the beauty and magic of masterfully composed photography. Found inside – Page 27In New York, in 1967, he met the photographer Joel Meyerowitz (b.1938), who was then working with Kodachrome transparency (or 'slide') film, ... Discusses the history of the kitchen during the twentieth century, and describes how changes in technology, design, domestic life, space, organization, food, consumerism, politics, and gender role has affected its value in a home. Found inside – Page 122... as in the case of William Eggleston, they used Kodachrome from which to make prints. Yet in the wider world of photography, saturation continued, ... 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