What if we could choose our lifespan? In this groundbreaking book, Dr. David Sinclair, leading world authority on genetics and longevity, reveals a bold new theory for why we age. by Alexandria Ingham Instructor: Christiane Paul E-mail: Christiane_Paul@WHITNEY.ORG Office hours: Tues / Thurs, 1:30 - 3PM by appointment. 3 (Fall 2009): 112-115. pp 7–25 Introduction Since the history of digital art is inextricably linked to the history of technology and the military industrial complex, and as military industrial complex was, in the mid 20th century, and still is dominated by a patriarchal culture, we will be looking at allot of men. Digital technology has had a major impact on the production and experience of art during the past decade and a half. Paul surveys digital art from its appearance in the early 1990s up to the present day. 180 illustrations. At 6:30 p.m. Oct. 25, Christiane Paul, adjunct curator of new media arts at the Whitney Museum of American Art in New York, will discuss digital art and other related forms — net art, software art, digital installation and virtual reality — for the Mildred Lane Kemper Art Museum. Found insideThis excellent volume, written by pioneers in the field, explores its real meanings to us and our society with ample examples and theoretical insight. Such a book has been long needed. Christiane Paul. Summary. The aesthetic nature and purposes of computer culture in the contemporary world are investigated in this book. Brown Hall is located at the intersection of Forsyth … (Wiley-Blackwell, 2016): 463-81. Christiane Paul is Adjunct Curator of New Media Arts at the Whitney Museum of American Art and Associate Professor and Associate Dean in the School of Media Studies at The New School, New York City. Contemporary Art and New Media: Digital Divide or Hybrid Discourse? * Christiane Paul … Christiane Paul is Associate Professor in the School of Media Studies at the New School, New York, USA, and also Adjunct Curator of New Media Arts at the Whitney Museum of American Art. Mondloch, Kate. Paul curated our Cory Arcangel exhibition last summer. Over the last two decades digital technology has had a major impact on the production and experience of art. Christiane Paul is a renowned new media art theoretician, curator, and critic. Screens: Viewing Media Installation Art. She also serves as an Associate Professor at the School of Media Studies, The New School, and as Adjunct Curator of New Media Arts at the Whitney Museum of American Art. 68, No. Christiane Paul is an Associate Professor in the School of Media Studies at The New School, and Adjunct Curator of New Media Arts at the Whitney Museum of American Art in New York City. Found insideThis book looks at how contemporary art addresses digitality, circulation, privacy, and globalisation, and suggests how feminism and gender binaries have been shifted by new mediations of identity. SELECTED RECENT WRITINGS. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors. Found insideIts gorgeous prose invites the reader to think along with Brian Massumi as he thoroughly embodies the work of these artists, walking the line that separates theory from art and providing equally nurturing sustenance for practicing artists ... Christiane Paul, The New School University, Media Studies Department, Faculty Member. Establish-ing a historical context, the author highlights the pioneer exhibitions and artists who began working with new technology and digital art as early as the late 196os and early 197os. Christiane Paul is the Adjunct Curator of New Media Arts at the Whitney Museum of American Art in New York, the director of Intelligent Agent and a lecturer in the Computer Arts Department at the School of Visual Arts, New York. She has written extensively on new media arts and lectured internationally on art and technology. Gallery 400, University of Illinois at Chicago. These testimonials form the basis of essays in the book’s second section, penned by leading scholars and curators of Nordic art. ISBN 978-0 … The so-called new media art, an increasingly important part of con Christiane Paul is a curator and new media scholar, Professor of Visual Art at The New School (New York) and Curator of New Media at Whitney Museum (New York). Rather than taking to the streets and staging spectacular protests, the practitioners of tactical media engage in an aesthetic New media not only offers expanded possibilities for art, but also valuable insights into the aesthetic applications and social implications of science and technology. Christiane Paul is Professor of Visual Art at The New School. Christiane Paul archive page; February 19, 2008. Found insideThroughout, the work in the exhibition addresses the internet-age democratization of culture that comprises our current moment. The earliest work in the exhibition is from 1989, the year that Tim Berners-Lee invented the World Wide Web. CHRISTIANE PAUL Introduction Museums, galleries, and the art world have long been oriented mostly toward objects and have configured themselves to accom modate the presentation and preserv tion of such static works of art. Course Description: This class will outline the history and theory of new media from aesthetic, cultural, and political perspectives. She has written extensively on new media arts and lectured internationally on art and technology. "New Media from Borges to HTML", The New Media Reader. pp 7–25 Introduction Since the history of digital art is inextricably linked to the history of technology and the military industrial complex, and as military industrial complex was, in the mid 20th century, and still is dominated by a patriarchal culture, we will be looking at allot of men. Context Providers explores the ways in which digital art and culture are challenging and changing the creative process and our ways of constructing meaning. New Media Art and the Gallery in the Digital Age Charlie Gere 000 2. ... and variable–still occupy the margins of art institutions and find their audience mostly at new-media art festivals or on the Internet. Christiane Paul. BERLIN, GERMANY - OCTOBER 29: Christiane Paul attends the 'Adams Aepfel' premiere at Astor Film Lounge on October 29, 2019 in Berlin, Germany. Christiane Paul è una curatrice d’arte statunitense.Durante la sua carriera ha scritto numerosi articoli e tenuto altrettante conferenze internazionali sulla new media art e sul rapporto tra arte e nuove tecnologie.Attualmente è curatore aggiunto presso il dipartimento di new media art del Whitney Museum of American Art di New York. Found insideInteractive art: definition and origins -- Interaction as an aesthetic experience -- The aesthetics of purposeless behavior: play as a boundary concept -- The aesthetics of interaction in digital art -- Case studies. Paul has written extensively and lectured internationally on new media arts. This reader collects the texts, videos, and computer programs--many of them now almost impossible to find--that chronicle the history and form the foundation of the still-emerging field of new media. About the author (2008) Christiane Paul is Professor of Visual Art at The New School. Christiane Paul, Adjunct Curator of New Media Arts at … Christiane PAUL Biography. 2008 WHO: Christiane Paul, adjunct curator of new media arts at the Whitney Museum of American Art, New York WHAT: Lecture, Grid vs. Network: Aesthetics of New Media Spaces WHEN: 7:30 p.m. Thursday, Nov. 30; reception at 6:30 p.m. WHERE: Lecture: Brown Hall, Room 100; Reception: Mildred Lane Kemper Art Museum. Contents Acknowledgments 000 Introduction Christiane Paul 000 ONE Positioning New Media Art and Curatorial Models 1. MIT Press. Minneapolis: University of Minnesota Press, 2010. A Companion to Digital Art, ed. Date: FBI International TV Series Release Date September 21, 2021 Cast: Luke Kleintank (Fly Team Chief), Heida Reed (second in command) and Vinessa Vidotto (member of the unit). Her recent books are A Companion to Digital Art (Wiley Blackwell, 2016); Digital Art (Thames and Hudson, 3rd revised edition, 2015) Context Providers – Conditions of Meaning in Media Arts (Intellect, 2011; Chinese edition, 2012), co-edited with Margot Lovejoy and Victoria Vesna; and New Media in the White Cube and Beyond (UC Press, 2008). Featuring: Christiane Paul, Oliver Grau, Dan Sandin, Tom DeFanti, Ellen Sandor, Jon Cates, Jamie Fenton, Sabrina Raaf. Christiane Paul is Associate Professor at the School of Media Studies, The New School, and Adjunct Curator of New Media Arts at the Whitney Museum of American Art. " "Film and Video Art takes in all the major developments in the unfolding dialogue between artists and moving image media."--BOOK JACKET. Challenges for a Ubiquitous Museum: Presenting and Preserving New Media Christiane Paul Whitney Museum of American Art The characteristics of the digital medium pose numerous challenges to the traditional art world, ranging from presentation to collection and preservation. * Christiane Paul … A Companion to Digital Art, ed. Net Art Anthology aims to represent net art as an expansive, hybrid set of artistic practices that overlap with many media and disciplines. BERLIN, GERMANY - OCTOBER 29: Christiane Paul attends the 'Adams Aepfel' premiere at Astor Film Lounge on October 29, 2019 in Berlin, Germany. "Digital Aesthetics: Two Handbooks" Book Review of Christiane Paul, New Media in the White Cube and Beyond and Victoria Vesna, Database Aesthetics in Art Journal, Vol. (Wiley-Blackwell, 2016): 463-81. found: Digital art, 2015: title page (Christiane Paul) page previous to title page (Christiane Paul is the Adjunct Curator of New Media Arts at the Whitney Museum of American Art in New York and Professor in the School of Media Studies at The New School, New York) Christiane Paul is Associate Professor in the School of Media Studies at the New School, New York, USA, and also Adjunct Curator of New Media Arts at the Whitney Museum of American Art. A compilation of writings by a pioneering digital artist blends personal reminiscences, net art theory, fictional narrative, satire, scholarly history, journalism, and language art in a digital sampling of the Internet art world and ... "This textbook provides artists, designers, and educators the necessary tools and curricula to employ "creative coding" in their school work and professional practice"-- Christiane Paul is an Associate Professor in the School of Media Studies at The New School, and Adjunct Curator of New Media Arts at the Whitney Museum of American Art in New York City.. Paul received both her MA and PhD from the University of Düsseldorf. 68, No. Screens: Viewing Media Installation Art. Digital art has expanded, challenged, and even redefined notions of public art and supported the concept of a networked commons. As an art form that is inherently time based, dynamic, interactive, collaborative, customizable, and variable, new-media art resists objectification. Minneapolis: University of Minnesota Press, 2010. 1 (May 2008): 38-50. On the other hand, this book is also an attempt to suggest new critical and curatorial strategies to turn this marginalization into a thing of the past, and to stress the topicality of art addressing the media and the issues of the ... Christiane Paul is Associate Prof. and Associate Dean at the School of Media Studies, The New School, and Adjunct Curator of New Media Arts at the Whitney Museum of American Art. She has written extensively on new media arts and lectured internationally on art and technology. For the longest time, This LEA volume presents a series of seminal papers in the field, offering the reader a new perspective on the future role of Live Visuals.Contributors: Lanfranco Aceti, Brian Herczog, Dominic Smith, Don Ritter, Elif Ayiter, Gabriel Menotti ... Christiane Paul. Rather than taking to the streets and staging spectacular protests, the practitioners of tactical media engage in an aesthetic Found inside16 Christiane Paul. Digital Art (New York, NY: Thames & Hudson, 2003), p. 71. 17 Florian Cramer and Matthew Fuller. “Interface” in Software Studies: A ... CALENDAR SUMMARY. MIT Press. Contemporary Art and New Media: Digital Divide or Hybrid Discourse? The myth of immateriality – presenting new media art. Digital Art by Christiane Paul. Christiane Paul is chief curator/director of the Sheila C. Johnson Design Center at Parsons School of Design and an associate professor in the School of Media Studies at The New School, and Adjunct Curator of New Media Arts at the Whitney Museum of American Art in New York City. Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of today’s digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists. Forthcoming: “Life Encoded – The Communication Art of Eduardo Kac,” catalogue essay for the exhibition Eduardo Kac: Lagoglyphs, Biotopes, and Transgenic Works(Oi Futuro: Rio de Janeiro, Brazil) Christiane Paul is the Adjunct Curator of New Media Arts at the Whitney Museum of American Art, and the Director of Intelligent Agent, a service organization and information resource dedicated to digital art.She has written extensively on new media arts and her book, Digital Art (part of the World of Art Series by Thames & Hudson, UK) was published in July 2003. (Photo by Tristar Media/Getty Images) Walker Season 1 finale spoilers: Will Walker cross the line? Christiane Paul is Chief Curator / Director of the Sheila C. Johnson Design Center and Professor in the School of Media Studies at The New School, as well as Adjunct Curator of Digital Art at the Whitney Museum of American Art. Over the last two decades, digital technology has had a major impact on the production and experience of art. The essays, by such leading cultural thinkers as Douglas Coupland and W. J. T. Mitchell, consider topics that range from the future of money to the role of art in a post-COVID-19 world; from mental health in the digital age to online ... Technoetic Arts 10 (2-3):167-172 (2012) Shanken, Edward A. Christiane Paul. "New Media from Borges to HTML", The New Media Reader. Christiane PAUL Biography. Christiane Paul is Professor of Visual Art at The New School. Art Criticism Online: A History provides the first in-depth history of art criticism following the Internet. The book considers the core stages of development and considers where critical practice is heading in the future. Cornell, Lauren and Brian Droitcour. Get Free Digital Art By Christiane Paul that engage and critique the dominant political and economic order. "Digital Aesthetics: Two Handbooks" Book Review of Christiane Paul, New Media in the White Cube and Beyond and Victoria Vesna, Database Aesthetics in Art Journal, Vol. Christiane Paul is Adjunct Curator of New Media Arts at the Whitney Museum of American Art and Associate Prof. at the School of Media Studies, The New School.She has written extensively on new media arts and lectured internationally on art and technology. Part of the 'DATA Browser' series, this book explores the role of the curator in the face of these changes. Christiane Paul is Chief Curator / Director of the Sheila C. Johnson Design Center and Professor in the School of Media Studies at The New School, as well as Adjunct Curator of Digital Art at the Whitney Museum of American Art. Edited and introduced by Christiane Paul and featuring contributions by prominent practitioners--institutional and independent curators, theorists, and conservators--this volume charts developments in an exciting field and addresses the conceptual, philosophical, and practical issues of both curating and presenting new-media art. “Technical Difficulties” (Reply to Claire Bishop, “Digital Divide” and Bishop’s rejoinder), 2013. The standards for presenting, collecting and Mondloch, Kate. Adjunct Curator of New Media Arts, Whitney Museum of American Art. The nature of agency within online, networked systems and communities is crucial to these developments. CALENDAR SUMMARY. READ: Christiane Paul, New Media in the White Cube and Beyond: Curatorial Models for Digital Art and Mark Tribe, "Defining New Media Art" … Interview with Christiane Paul Adjunct Curator of New Media Arts at the Whitney Museum of American Art Associate Professor, School of Media Studies, The New School Written extensively on new media arts and lectured internationally Taught digital media arts at the School of Visual Arts-New York, Digital + Media Department This change, however, did not materialize so deeply, in the view of Christiane Paul, curator of New Media at the Whitney Museum of American Art, but it manifested itself in different ways. Dr. Christiane Paul. One of Paul’s early roles was in the 1992 film Deutschfieber.In 2016, she appeared in the television mini-series Paranoid, in which she played the character Linda Felber for eight episodes.In 2018, Paul played Mira in Counterpart for nine episodes until the series ended in 2019. In Tactical Media, Rita Raley provides a critical exploration of the new media art activism that has emerged out of, and in direct response to, postindustrialism and neoliberal globalization. Looking today at the social, aesthetic, and conceptual approaches of the early 1990s presented in this book, it is clear that most of them have in fact come true, if in ways other than intended.The contributions cover a wide variety of ... WHO: Christiane Paul, adjunct curator of new media arts at the Whitney Museum of American Art, New York WHAT: Lecture, Grid vs. Network: Aesthetics of New Media Spaces WHEN: 7:30 p.m. Thursday, Nov. 30; reception at 6:30 p.m. WHERE: Lecture: Brown Hall, Room 100; Reception: Mildred Lane Kemper Art Museum. When the staff decided to put the work back up for display last year, they were faced with a philosophical dilemma: use the old version with the dead links, or create an updated version, one users could interact with. What is new media art? Her recent books include Context Providers—Conditions of Meaning in Media Arts, coedited with Margot Lovejoy and Victoria Vesna, and New Media in the White Cube and Beyond. The Myth of Immateriality -- Presenting & Preserving New Media Christiane Paul The process-oriented nature of the digital medium poses numerous challenges to the traditional art world, ranging from presentation to collection and preservation. New Media Curating Read: Christiane Paul, "The Myth of Immateriality" Look: Check out The Whitney Museum’s Artport: April 28: Heidi Zuckerman Jacobson ATC lecture CANCELLED New Media Curating Continued Read: Christiane Paul, "Flexible Contexts, Democratic Filtering and Computer Aided Curating" Christiane Paul is Associate Prof. and Associate Dean at the School of Media Studies, The New School, and Adjunct Curator of New Media Arts at the Whitney Museum of American Art.She has written extensively on new media arts and lectured internationally on art and technology. Studies Media Studies, Critical Theory, and New Media. Get Free Digital Art By Christiane Paul that engage and critique the dominant political and economic order. Christiane Paul. Found insideIn this unique book the author explores the history of pioneering computer art and its contribution to art history by way of examining Ernest Edmonds’ art from the late 1960s to the present day. Beall Center for Art + Technology (Irvine, CA) Affiliated with the University of California Irvine (UCI), … “Paul does an impressive job of compressing the activity of a huge field, in which there are no obvious heroes and no single aesthetic line.” —Publishers Weekly Adjunct Curator of New Media Arts, Whitney Museum of American Art. Surveys the growing influence of digital technology while evaluating its growing role as a creative force, in an illustrated survey that traces the genre's history and considers the achievements of more than one hundred international ... 400 South Peoria Avenue, Chicago, Illinois 60607. She lectured internationally in several institutions and she is currently associate professor at the School of Media Studies at The New School in New York. Explores the 21st-century phenomenon of creativity made possible by advanced computer-assisted production known as digital fabrication, examining an interdisciplinary array of seminal works by foremost practitioners in an experiential ... Leading scholars take a wider view of new media, placing it in the context of art history and acknowledging the necessity of an interdisciplinary approach in new media art studies and practice. https://cgnetworks.org/medialab/imagining-futures/christiane-paul In addition to what you can expect—a great compendium explaining the software's features and applications—the second edition of Processing comes with a well-curated series of interviews with artists and designers for whom software is key to their work. Christiane Paul will play a Europol agent. Index Acknowledgments / ix Introduction CHRISTIANE PAUL / I ONE POSITIONING NEW MEDIA ART AND CURATORIAL MODELS 1 New Media Art and the Gallery in the Digital Age CHARLIE GERE / 13 2 Immateriality and Its Discontents: An Overview of Main Models and Issues for Curating New Media SARAH COOK / 26 TWO INTERFACING NEW MEDIA 3 Challenges for a Ubiquitous Museum: From the … A timely survey that addresses the relationship between art and electronic technology, including mechanics, light, graphics, robots, virtual reality and the web. Found insideThe digital revolution fundamentally changed how cultural heritage is created, documented, analyzed, and preserved. The book focuses on this transformation’s impact. The relationship between story and game, and related questions of electronic writing and play, examined through a series of discussions among new media creators and theorists. Electronic networks enable exchange and collectivist strategies that can question existing structures of power and governance. "This book was published in conjunction with the exhibition Toni Dove: Embodied Machines, on view at The John and Mable Ringling Museum of Art, Sarasota, Florida, February 25/May 20, 2018." New media art is usually defined as a genre that encompasses artworks created with new media technologies, including digital art, computer graphics, computer animation, virtual art, Internet art, interactive art, video games, computer robotics, 3D printing, and art as biotechnology. Here, Christiane Paul surveys the developments in digital art from its appearance in the 1980s to the present day, and looks ahead to what the future may hold. Her recent books include Context Providers--Conditions of Meaning in Media Arts, coedited with Margot Lovejoy and Victoria Vesna, and New Media in the White Cube and Beyond. In a series of essays, 34 influential researchers look at how the proliferation of computers and technology has and will affect culture and the arts. Presents an overview of the use of new intellectual and scientific technologies in modern art, discussing the creations of such influential artists as Eadweard Muybridge, Robert Rauschenberg, and Bill Viola and incorporating into the latest ... Christiane Paul is an Associate Professor and Associate Dean at the School of Media Studies, The New School, and Adjunct Curator of New Media Arts at the Whitney Museum of American Art. Christiane Paul László Moholy-Nagy * EM 2 (Telephone Picture), 1923 (POST) Simon Nora and Alain Minc,… VM470/VM604 Advanced New Media Projects John Craig Freeman, Emerson College The Johns Hopkins Guide to Digital Media is the first comprehensive reference work to which teachers, students, and the curious can quickly turn for reliable information on the key terms and concepts of the field. Christiane Paul is a renown theoretician and curator who has largely treated arguments that embrace Media Art, Digital Art and the wide spectrum of sectors that relates art and technologies. Christiane Paul, Challenges for a Ubiquitous Museum: Presenting and Preserving New Media; Lev Manovich (2003. Christiane Paul, Challenges for a Ubiquitous Museum: Presenting and Preserving New Media; Lev Manovich (2003. Christiane Paul is Adjunct Curator of New Media Arts at the Whitney Museum of American Art and Associate Professor and Associate Dean in the School of Media Studies at The New School, New York City. Christiane Paul is Adjunct Curator of New Media Arts at the Whitney Museum of American Art and Associate Professor and Associate Dean in the School of Media Studies at The New School, New York City. Edited and introduced by Christiane Paul and featuring contributions by prominent practitioners—institutional and independent curators, theorists, and conservators—this volume charts developments in an exciting field and addresses the conceptual, philosophical, and practical issues of both curating and presenting new-media art. Mobility Agents is a beautiful interactive sketchbook and drawing board that gives invaluable insight into how software translates data into marks on the computer screen. The author provides a context for the works of major artists in each media, describes their projects, and discusses the issues and theoretical implications of each to create a foundation for understanding this developing field. 30, No. Renderings of Digital Art CHRISTIANE PAUL This essay identifies the current qualifier of choice, "new media," by explaining how this term is used to describe digital art in various forms. Christiane Paul | Isa Foltin/Getty Images. "Cybernated Aesthetics: Lee Bul and the Body Transfigured" in PAJ: A Journal of Performance and Art 88 Vol. New Media in the White Cube and Beyond: Curatorial Models for Digital Art by Christiane Paul (Editor) 4.08 avg rating — 25 ratings — published 2008 — 3 editions Christiane Paul is Associate Professor in the School of Media Studies at the New School, New York, USA, and also Adjunct Curator of New Media Arts at the Whitney Museum of American Art. On Oct. 25 Christiane Paul, adjunct curator of new media arts at the Whitney Museum of American Art in New York, will discuss digital art and other related forms — such as net art, software art, digital installation and virtual reality — for the Mildred Lane Kemper Art Museum. An up-to-date survey of the video art form traces its history throughout the past forty years and cites the work of key contributors, discussing a wide range of installations from the 1980s and 1990s while providing new coverage of the ... Christiane Paul has written extensively on new media arts, lectured internationally on art and technology and is the recipient of the Thoma Foundation's 2016 Arts Writing Award in Digital Art. Her recent books include Context Providers–Conditions of Meaning in Media Arts (2011) and New Media in the White Cube and Beyond (2008). Unlike many of his contemporaries who came from engineering and computer science backgrounds, Verostko was formerly a Benedictine monk at Saint Vincent Archabbey in Latrobe, Pennsylvania, and a professionally-trained painter and scholar ... Found insidePostdigital Aesthetics is a contribution to questions raised by our newly computational everyday lives and the aesthetics which reflect both the postdigital nature of this age, but also critical perspectives of a post-internet world. She has written extensively on new media arts and lectured internationally on art and technology. Chicago New Media Symposium. Overview Author(s) Praise. This work explores the characteristics distinctive to new media art, including its immateriality and its questioning of time and space, and relates them to such contemporary art forms as video art, conceptual art, socially engaged art, and ... Christiane Paul is Adjunct Curator of New Media Arts at the Whitney Museum of American Art and Associate Prof. at the School of Media Studies, The New School.She has written extensively on new media arts and lectured internationally on art and technology. “Technical Difficulties” (Reply to Claire Bishop, “Digital Divide” … Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of today’s digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists. by Alexandria Ingham (Photo by Tristar Media/Getty Images) Walker Season 1 finale spoilers: Will Walker cross the line? View of a Generative Systems classroom, School of the Art Institute of Chicago, c. 1976. She is widely known as the author of the book Digital Art, part of the World of Art Series published by Thames & Hudson. Blurring boundaries between many disciplines, this title supplies a context and a rationale for discussing how technological change has affected the function of art, the role of the artist, and the way artistic productions are disseminated. Her recent books include Context Providers—Conditions of Meaning in Media Arts, coedited with Margot Lovejoy and Victoria Vesna, and New Media in the White Cube and Beyond. Brown Hall is located at the intersection of Forsyth … Christiane Paul (US / GER), lives in New York. Found insideJulian Stallabrass discusses the exhibition he curatored for Tate Britain "Art and money online". Matthew Gansallo discusses his work commissioning and curating artists for Tate Website. Christiane Paul is a curator and new media scholar, Professor of Visual Art at The New School (New York) and Curator of New Media at Whitney Museum (New York). Digital technology has revolutionized the way we produce and experience art. Christiane Paul is the Adjunct Curator of New Media Arts at the Whitney Museum of American Art, and the Director of Intelligent Agent, a service organization and information resource dedicated to digital art.She has written extensively on new media arts and her book, Digital Art (part of the World of Art Series by Thames & Hudson, UK) was published in July 2003. Institutions and find their audience mostly at new-media art festivals or on the Internet Media Reader first history... Author or authors of constructing meaning by the work 's license are retained by the work the... Year that Tim Berners-Lee invented the World Wide WEB and changing the creative process and our ways constructing. 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